A Contempt for Ingratiation.

The conspiracy of Claudius Civilis

Rembrandt’s The Conspiracy of Claudius Civilis

When Rembrandt was invited to redeem his reputation by the Burgher Masters of Amsterdam and contribute a painting for the interior of their new Town Hall they expected something restrained, classical and above all respectable.  What they got was deformity, barbarianism, ugliness, a thickly painted depiction of a rabble of rebels, the all too human Claudius Civilis.  An utterly brilliant painting.

He had every incentive to conform and was quite capable of painting what he knew the Burghers wanted but this was not Rembrandt’s style.  If you were to ask “What drives the greatest art?” what we see in this image is “The contempt for Ingratiation”.  Rembrandt had lost everything, his reputation, his wife, his house and his money but he wasn’t prepared to to paint anything inferior or to sell out to people who hadn’t the vision to recognise brilliance when it stared them in the face.

Inspirational I think.

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